简介:The film manages to stand out from an immense oeuvre (and a packed exhibition space) that spans assemblages to painting and drawing to film. For the piece, Conner reworked footage from his 1...展开
简介:The film manages to stand out from an immense oeuvre (and a packed exhibition space) that spans assemblages to painting and drawing to film. For the piece, Conner reworked footage from his 1966 Super 8 film “Easter Morning Raga,” digitalizing the 8mm footage to expand the images. The result appears like a stop motion picture, with frames that move in rhythm to the trancelike instrumental chant of Terry Riley’s composition “In C” (1964)收起
The film manages to stand out from an immense oeuvre (and a packed exhibition space) that spans assemblages to painting and drawing to film. For the piece, Conner reworked footage from his 1966 Super 8 film “Easter Morning Raga,” digitalizing the 8mm footage to expand the image...展开
The film manages to stand out from an immense oeuvre (and a packed exhibition space) that spans assemblages to painting and drawing to film. For the piece, Conner reworked footage from his 1966 Super 8 film “Easter Morning Raga,” digitalizing the 8mm footage to expand the images. The result appears like a stop motion picture, with frames that move in rhythm to the trancelike instrumental chant of Terry Riley’s composition “In C” (1964)收起